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| • A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion • Premium electronic components, including gold-plated internal and external connectors • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) • Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect • • • Performance Characteristics • • Extended frequency response • Low self-noise • Exceptional reproduction of low-frequency sounds • Can withstand high sound pressure levels (SPL) • High output level • No crossover distortion | • Uniform polar response • Superior common mode rejection and suppression of radio frequency interference • • • Applications • • Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed. • • Acoustic instruments -- such as piano, guitar, drums, percussion, strings • Wind instruments -- brass and woodwind • Low frequency instruments -- such as double bass, electric bass, kick drum • Overhead miking -- drums or percussion • Ensembles -- choral or orchestral • Room ambiance pick-up -- guitar amplifier or drums • • • Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. |
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